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and one at 11, in the James Simps theatre of the museum. Childr from alparts of Chicago and su rîbs are invited. 1Chop Suey. f lue. Pt. of lICE--serveS Tbre TAI-LECOP f87 Oroem Bay Bd. WiU. M maieArt Entertainiment Furnished ai Your -P&rty, Banquet, Church or Lodge O@TOMEII" ~TeNorth, Shore's Magiciat- mx., i>unne. son. Fir st Mamoulian had the world's ren first ail drill reconstructed f rom bis- ,uh- toric photographs, then called for it, to bring in. a duplication of, the -geyser that c.hanged the course of' civýilization and made, the machine Sage possible. The gusher was, produced at Chino. Calif., with petroletam and compressed , air that shot thetbick fluid fifty feet ifito the air. Joel Performs Odd Opertionfor Film 1 One of the oddest operatians ever performed for a motion picture takes p lace in "Internes Can't Take Money," co-starring Barbara Stanwyck anfd Joel McCrea. it was revealed by AI- and starring Merle Oberon, Brian Ahernie, Henry Stephenson, and Karen Morley. Teatro'del Lago , April 19, 20; Varsity theater,- April 20y'21 22. This dramia, historically correct as to background, but fictional as ta characters and story, fairly presents the views of both sides in the Irish demand for freet- dam from Great Britain. There are many 'unustial scenes. Th.e.rotes,. bath principal and suborditnate, ar e weIl handled.. The conflict be- S tween patriotismn and lolfve 1%estle- film version of the popular and ]Fairliedetective novels. Camail.. MGM picture. directed by George Cukor, with Greta Garbo Robert, Taylor, Elizabeth. Allenjessie Ralph,I Lenore. Ulric, Lionel Barry,ýI more, Laura Hope, Crews. Teatro del, Lago, April 21, 22. Dumas' tragedy has be en adapted ta the screen with -good taste, directed with skill and, sympathy. The char-, acterizatîons are .ail faultless, the settings magnificent, the costumes Iovely. Garbo'sý flawless performance holds the audience spellbound. The director who blas .a genius for re-creatintg. the tbinigs of the past ("Rantea and Juliet," "Little Wom- en," "David Copperfield") bias givei N5,à.*Q~IflV W.a*..asIIp - STIMATES- ket kniie, a violin string ani st bottie of Scotch hie can fi saloon where the aperation S.-The Scotch is M.cCrea's hands. uised to disini- ~n, and nl most vivid and alluring role. il- 1' Champagne Waltx. Paramnount pic- u ture. directed by Edward Sutherland. - %vith. Gladys Swart.hout, Fred Mac- ýn Murray , Jack Oakie, Veloz and Yo- 1landa. Valencia theater, April 18, 19. Lovely sangs, graceful dancing, and sparkling dialogue against the cbarmn- .e in background of Vienna and Strauss Porter lHall second award of killer jacl DeMille's prc man." in, "'e 1 er, ari One o' ien. "Breezing 1-1ank" The story is that, of a young singer these elements, besides and ber 'grandfather who live ini , brightly paced humor, Vienna and who find that the business ed romance. of their little waltz parlor is being -gan, portraying a horse ruined by the invasion of an Amern- s the affections of tIVo can jazz band.. Gladys, in indignation. them is a millionaire runs off ta the American consul's played by Binnie Office ta protest. There she meets other is a night club Fred MacMurray who dlaims ta. be d by Wendy Barrie. that official and she pours out ber R